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After creating a [[Sage Art: Wood Release: True Several Thousand Hands|gigantic wooden statue]] that possesses thousands of hands, [[Hashirama]] utilises all of these hands simultaneously to deliver thousands of powerful blows to a target. Due to the sheer volume of the punches involved, defending against the entirety of them is nearly impossible. These punches are of such magnitude that they were able to completely destroy [[Madara Uchiha]]'s final [[Susanoo]], strip it off the [[Nine-Tails]], while at the same time create a massive crater which later became known as the [[Valley of the End]] despite the fact the overall damage of this technique had been weakened by Madara shortly before it landed on Kurama.
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After creating a [[Sage Art: Wood Release: True Several Thousand Hands|gigantic wooden statue]] that possesses thousands of hands, [[Hashirama]] utilises all of these hands simultaneously to deliver thousands of powerful blows to a target. Due to the sheer volume of the punches involved, defending against the entirety of them is nearly impossible. These punches are of such magnitude that they were able to destroy [[Madara Uchiha]]'s final [[Susanoo]] (though not completely), striping most of it off the [[Nine-Tails]], while at the same time creating a massive crater which later became known as the [[Valley of the End]] despite the fact the overall damage of this technique had been weakened by Madara shortly before it landed on Kurama.
   
 
== Influence ==
 
== Influence ==

Revision as of 14:33, 24 September 2013

After creating a gigantic wooden statue that possesses thousands of hands, Hashirama utilises all of these hands simultaneously to deliver thousands of powerful blows to a target. Due to the sheer volume of the punches involved, defending against the entirety of them is nearly impossible. These punches are of such magnitude that they were able to destroy Madara Uchiha's final Susanoo (though not completely), striping most of it off the Nine-Tails, while at the same time creating a massive crater which later became known as the Valley of the End despite the fact the overall damage of this technique had been weakened by Madara shortly before it landed on Kurama.

Influence

"Kebutsu" (化仏, literally meaning: Transformed Buddha) depicts the manifestation of a Nyorai that has transformed into another body, represented alongside an associated Buddha or bodhisattva. In practical terms, this means a smaller Buddhist image attached to a larger one.

Such depictions serve as an example of the many forms Buddhist deities can assume in order to save sentient beings. They are found most notably within the statues of Kannon, where a small image of Amida is placed atop Kannon's crown or held in the hands of Thousand-Armed Kannon.

See Also