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After creating a [[Sage Art: Wood Release: True Several Thousand Hands|gigantic wooden statue]] that possesses thousands of hands, [[Hashirama]] utilises all of these hands simultaneously to deliver thousands of powerful blows to a target. Due to the sheer volume of the punches involved, defending against the entirety of them is nearly impossible. These punches are of such magnitude that they were able to weaken [[Madara Uchiha]]'s final [[Susanoo]], while at the same time create a massive crater.
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After creating a [[Sage Art: Wood Release: True Several Thousand Hands|gigantic wooden statue]] that possesses thousands of hands, [[Hashirama]] utilises all of these hands simultaneously to deliver thousands of powerful blows to a target. Due to the sheer volume of the punches involved, defending against the entirety of them is nearly impossible. These punches are of such magnitude that they were able to completely destroy [[Madara Uchiha]]'s final [[Susanoo]], strip it off the [[Nine-Tails]], while at the same time create a massive crater which later became known as the [[Valley of the End]].
   
 
== Influence ==
 
== Influence ==

Revision as of 18:14, April 26, 2013

Top Transformed Buddha

Name
Kanji 頂上化仏
Rōmaji Chōjō Kebutsu
Literal English Top Transformed Buddha
Viz manga Artefacts of the Buddha
Debut
Manga Chapter #626
Appears in Manga only
Data
Classification
Nature Icon Wood
Kekkei Genkai, Senjutsu, Ninjutsu
Type
Class Offensive
Range All ranges
Other jutsu
Parent jutsu
Users

After creating a gigantic wooden statue that possesses thousands of hands, Hashirama utilises all of these hands simultaneously to deliver thousands of powerful blows to a target. Due to the sheer volume of the punches involved, defending against the entirety of them is nearly impossible. These punches are of such magnitude that they were able to completely destroy Madara Uchiha's final Susanoo, strip it off the Nine-Tails, while at the same time create a massive crater which later became known as the Valley of the End.

Influence

"Kebutsu" (化仏; Literally meaning "Transformed Buddha") depicts the manifestation of a Nyorai that has transformed into another body, represented alongside an associated Buddha or bodhisattva. In practical terms, this means a smaller Buddhist image attached to a larger one.

Such depictions serve as an example of the many forms Buddhist deities can assume in order to save sentient beings. They are found most notably within the statues of Kannon, where a small image of Amida is placed atop Kannon's crown or held in the hands of Thousand-Armed Kannon.

See Also

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