(No) |
(Kurama was much larger during that battle because it was still one entity with all its chakra.) |
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{{Infobox/Jutsu |
{{Infobox/Jutsu |
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| − | |image= |
+ | |image=Shin Sūsenju.png |
|kanji=仙法・木遁・真数千手 |
|kanji=仙法・木遁・真数千手 |
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|unnamed jutsu=No |
|unnamed jutsu=No |
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|users=Hashirama Senju |
|users=Hashirama Senju |
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|debut manga=621 |
|debut manga=621 |
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| + | |debut anime=366 |
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|debut shippuden=Yes |
|debut shippuden=Yes |
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| + | |game debut=Naruto Shippūden: Ultimate Ninja Storm Revolution |
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| − | |jutsu media=Manga |
+ | |jutsu media=Anime, Manga, Game |
}} |
}} |
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| + | The '''Sage Art: Wood Release: True Several Thousand Hands''' is a technique which creates a titanic, many-handed wooden statue that can be freely controlled by the user. |
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| ⚫ | After entering [[Sage Mode]], |
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| + | |||
| + | == Usage == |
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| ⚫ | After entering [[Sage Mode]], Hashirama creates a wooden statue of titanic proportions, easily able to dwarf a full-sized [[Kurama]]. Thousands of hands originate from the statue's back in countless concentric rows, while its two main hands are clasped, as if in prayer. The statue can serve a variety of purposes in battle, from fighting on Hashirama's behalf to defending and even using [[Top Transformed Buddha|other techniques]]. The sheer size of this technique makes it almost impossible to attack Hashirama himself.<ref>''Naruto'' chapter 621, pages 12-14</ref> |
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| + | |||
| + | It can also detach its main self from its main arsenal. With its immense strength, it can grab hold of a [[tailed beast]] with ease and hold it in place, leaving it unable to move. Hashirama can then use the [[Hokage-Style Sixty-Year-Old Technique — Kakuan Entering Society with Bliss-Bringing Hands]] in conjunction with the [[Wood Release: Wood Human Technique|Wood Human]] on the statue's head to suppress and remove any direct [[Tailed Beast Control|control]] over the tailed beast.<ref>''Naruto'' chapter 626, pages 4-7</ref> |
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== Influence == |
== Influence == |
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| − | This technique seems to be influenced by the Buddhist bodhisattva of compassion, [[Wikipedia:Avalokiteśvara|Avalokiteśvara]], also known as {{translation|"Senju Kannon"|千手観音|Thousand-Armed Kannon}}. |
+ | This technique seems to be influenced by the Buddhist bodhisattva of compassion, [[Wikipedia:Avalokiteśvara|Avalokiteśvara]], also known as {{translation|"Senju Kannon"|千手観音|lit meaning=Thousand-Armed Kannon}}. |
One prominent story tells of Kannon vowing never to rest until he had freed all beings from [[Wikipedia:Saṃsāra|Saṃsāra]]. After strenuous effort, but struggling to comprehend the needs of so many who still had yet to be saved, his head splits into eleven pieces. The Buddha [[Wikipedia:Amitābha|Amida]], seeing his plight, gives him eleven heads with which to hear the cries of the suffering. Upon hearing and comprehending these cries, Kannon attempted to reach out to all those who needed aid, but found that his two arms shattered into pieces. Once more, Amida comes to his aid and grants him a thousand arms with which to aid the suffering. |
One prominent story tells of Kannon vowing never to rest until he had freed all beings from [[Wikipedia:Saṃsāra|Saṃsāra]]. After strenuous effort, but struggling to comprehend the needs of so many who still had yet to be saved, his head splits into eleven pieces. The Buddha [[Wikipedia:Amitābha|Amida]], seeing his plight, gives him eleven heads with which to hear the cries of the suffering. Upon hearing and comprehending these cries, Kannon attempted to reach out to all those who needed aid, but found that his two arms shattered into pieces. Once more, Amida comes to his aid and grants him a thousand arms with which to aid the suffering. |
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== Trivia == |
== Trivia == |
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| − | * |
+ | * Once formed, the creatures created through the [[Wood Release: Wood Human Technique]] and the [[Wood Release: Wood Dragon Technique]] sit atop the head of the wooden statue. |
| + | |||
| + | == References == |
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| + | <references/> |
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[[es:Arte Sabio: Elemento Madera: Diez Mil Manos]] |
[[es:Arte Sabio: Elemento Madera: Diez Mil Manos]] |
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Revision as of 19:02, 18 August 2014
The Sage Art: Wood Release: True Several Thousand Hands is a technique which creates a titanic, many-handed wooden statue that can be freely controlled by the user.
Usage
After entering Sage Mode, Hashirama creates a wooden statue of titanic proportions, easily able to dwarf a full-sized Kurama. Thousands of hands originate from the statue's back in countless concentric rows, while its two main hands are clasped, as if in prayer. The statue can serve a variety of purposes in battle, from fighting on Hashirama's behalf to defending and even using other techniques. The sheer size of this technique makes it almost impossible to attack Hashirama himself.[1]
It can also detach its main self from its main arsenal. With its immense strength, it can grab hold of a tailed beast with ease and hold it in place, leaving it unable to move. Hashirama can then use the Hokage-Style Sixty-Year-Old Technique — Kakuan Entering Society with Bliss-Bringing Hands in conjunction with the Wood Human on the statue's head to suppress and remove any direct control over the tailed beast.[2]
Influence
This technique seems to be influenced by the Buddhist bodhisattva of compassion, Avalokiteśvara, also known as "Senju Kannon" (千手観音, literally meaning: Thousand-Armed Kannon).
One prominent story tells of Kannon vowing never to rest until he had freed all beings from Saṃsāra. After strenuous effort, but struggling to comprehend the needs of so many who still had yet to be saved, his head splits into eleven pieces. The Buddha Amida, seeing his plight, gives him eleven heads with which to hear the cries of the suffering. Upon hearing and comprehending these cries, Kannon attempted to reach out to all those who needed aid, but found that his two arms shattered into pieces. Once more, Amida comes to his aid and grants him a thousand arms with which to aid the suffering.
Trivia
- Once formed, the creatures created through the Wood Release: Wood Human Technique and the Wood Release: Wood Dragon Technique sit atop the head of the wooden statue.
