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|unnamed jutsu=No
 
|unnamed jutsu=No
 
|romaji=Sōen: Hitomi Gokū
 
|romaji=Sōen: Hitomi Gokū
|literal english=Puppet Performance: Skillful Achievement with a Human Body
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|literal english=Puppet Performance: Skilful Achievement with a Human Body
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|other names={{translation|Dance of Sakura|サクラの舞|Sakura no Mai|engtv=Ninja Art: Sakura Puppet Dance}}
 
|parent jutsu=Puppet Technique
 
|parent jutsu=Puppet Technique
 
|jutsu rank=A
 
|jutsu rank=A
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|jutsu class type=Supplementary
 
|jutsu class type=Supplementary
 
|jutsu range=Short, Mid
 
|jutsu range=Short, Mid
|users=Chiyo, Sasori
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|users=Chiyo, Sasori, Mukade (movie)~movie
 
|debut manga=266
 
|debut manga=266
 
|debut anime=20
 
|debut anime=20
 
|debut shippuden=Yes
 
|debut shippuden=Yes
 
|game debut=Naruto Shippūden: Ultimate Ninja 5
 
|game debut=Naruto Shippūden: Ultimate Ninja 5
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|movie debut=Naruto Shippūden the Movie: The Lost Tower
|jutsu media=Anime, Manga, Game
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|jutsu media=Anime, Manga, Game, Movie
 
}}
 
}}
A puppet performance technique where chakra threads are attached to various spots on a person's body; the head, torso, both arms, and both legs. The person being manipulated gains the ability to not only use their own techniques, but the skills of the puppeteer as well.
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A [[puppet]] performance technique where [[chakra threads]] are attached to various spots on a person's body; the head, torso, both arms, and both legs. The person being manipulated gains the ability to not only use their own techniques, but the skills of the puppeteer as well.
   
The origins of this technique lie on the battlefield. When a puppet user's puppets were all destroyed, they would begin using corpses. To perform this technique with a living person would normally require both parties to trust each other deeply. However, a highly skilled user can control the target by force if the person is severly weakened or damaged rendering them unable to resist.
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The origins of this technique lie on the battlefield. When a puppeteer's puppets were all destroyed, they would begin using corpses. To perform this technique with a living person would normally require both parties to cooperate with each other. However, a highly skilled user can control the target by force if the person is severely weakened or damaged rendering them unable to resist.
   
==Trivia==
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== Trivia ==
* In the anime, this jutsu is referred to as the {{translation|Dance of [[Sakura Haruno|Sakura]]|サクラの舞|Sakura no Mai|engtv=Ninja Art: Sakura Puppet Dance}} when used on Sakura Haruno.
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* In the anime, this technique is referred to as the {{translation|Dance of [[Sakura]]|サクラの舞|Sakura no Mai|engtv=Ninja Art: Sakura Puppet Dance}} when used on Sakura Haruno.
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* When Mukade used it in the [[Naruto Shippūden the Movie: The Lost Tower|movie]], the chakra threads wrapped around the [[Sāra|target's]] limbs instead of simply connecting to them. He was strong enough to force his victim to move to his will without weakening them beforehand.
   
==References==
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== See Also ==
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* [[Hundred Puppet Soul Binding]]
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  +
== References ==
 
<references/>
 
<references/>
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[[es:Ejecución de Marionetas: Control de Cuerpo Humano]]

Revision as of 23:41, 1 February 2015

A puppet performance technique where chakra threads are attached to various spots on a person's body; the head, torso, both arms, and both legs. The person being manipulated gains the ability to not only use their own techniques, but the skills of the puppeteer as well.

The origins of this technique lie on the battlefield. When a puppeteer's puppets were all destroyed, they would begin using corpses. To perform this technique with a living person would normally require both parties to cooperate with each other. However, a highly skilled user can control the target by force if the person is severely weakened or damaged rendering them unable to resist.

Trivia

  • In the anime, this technique is referred to as the Dance of Sakura (サクラの舞, Sakura no Mai, English TV: Ninja Art: Sakura Puppet Dance) when used on Sakura Haruno.
  • When Mukade used it in the movie, the chakra threads wrapped around the target's limbs instead of simply connecting to them. He was strong enough to force his victim to move to his will without weakening them beforehand.

See Also

References

  1. Third Databook, page 281